Do you DREAM of performing on Broadway? It can become a reality, but you need to articulate your dreams and build a step-by-step system to develop your Craft. In this chapter, the TIYA system to doing these most effectively is explained.
Broadway performers are professional athletes who Sing, Act, and Dance 8 shows a week and all athletes TRAIN. In this chapter you’ll learn about the best 45 Musical Theatre Institutions, and the way to easily make $10,000-$15,000 in less than 1 year.
MOVING TO NYC
It can be beyond exciting—but also overwhelming and expensive. In this chapter you’ll not only gain a clear understanding of investing vs. spending, you’ll also discover the #1 mistake aspiring Broadway performers make when moving to the “Big Apple” and how to avoid it.
RESPECT YOUR INSTRUMENT
On Broadway, your body is your instrument you play 8 shows a week to make a living—and you must Respect it. Do you know how: to stay healthy so your mind is fresh, body is strong, and spirit is centered?
HEADSHOTS & RESUMES
You are a Business and your Headshot/Resume is the only Advertising and Calling Card you have. It must be professional, which means you need to invest in yourself. This chapter will discuss the best and most cost-effective ways to make your ‘calling card’ represent you perfectly.
THIS IS BUSINESS
This chapter familiarizes readers with the nuts and bolts of the Broadway industry – producers, creative teams, etc. – as well as ways in which aspiring Broadway performers can meet acting coaches, choreographers, and more.
It is a Craft in itself. A performance, the “big game,” and a business interview all in 1. This chapter will walk you step-by step to help guide you to audition at your top performance—from the minute you walk in the room, to the last second before you leave.
ACTING THE SONG
The only way to stand out in auditions is to connect to the song and let your emotions flow openly. In this chapter you’ll learn the TIYA process of ACT—Admit, Connect, and Trust.
Getting the attention of industry insiders can be done if you know how to “pop in the room.” This chapter will explain how to be a good communicator and stand out in the crowd.
GETTING AN AGENT
This chapter explains the details of what an agent is, how to get one, what they do, what they look for, and much more.